{"status":true,"post":{"id":24628,"user_id":5,"status":1,"type":1,"orde":null,"notification_type":3,"static_post":0,"published_at":"2022-10-24 14:49:41","created_at":"2021-01-28T21:00:00.000000Z","updated_at":"2022-10-24T11:49:41.000000Z","edited_at":"2024-12-17 22:35:21","source_id":null,"post_id":24628,"is_featured":0,"title":"\u015eark k\u00fct\u00fcphanesinden ne \u00e7\u0131kar?","slider_title":null,"slider_title_2":null,"slider_spot_title":null,"slider_spot_title_2":null,"home_title":null,"sub_title":null,"category_id":73,"description":null,"content":" \t\t\t\t\t \t\t\t\t\t

PROF. DR. AHMET EMRE B\u0130LG\u0130L\u0130<\/strong><\/span><\/p>

G\u00fcn\u00fcm\u00fcz jenerasyonuna, entelekt\u00fceline, ilim ve fikir adam\u0131na el yazmas\u0131 temel eserlerin; bilgi ve kavray\u0131\u015f olu\u015fturmada, fikrin in\u015fas\u0131nda, ilmin devaml\u0131l\u0131\u011f\u0131nda ne denli \u00f6nemli oldu\u011funu nas\u0131l anlatabiliriz veya anlatmal\u0131 m\u0131y\u0131z? Bu t\u00fcr bir derdimiz olmal\u0131 m\u0131 ger\u00e7ekten? Bug\u00fcn el yazmas\u0131 eserleri, m\u00fczelik bir eser gibi sadece m\u00fczayede objesi olarak m\u0131 de\u011ferli g\u00f6rmeliyiz? Bu eserler, tarihteki fonksiyonlar\u0131n\u0131 ne \u00f6l\u00e7\u00fcde devam ettirebiliyorlar? G\u00fcn\u00fcm\u00fczde yazma eserler konusunu hangi boyuttan \u00f6nemsemeliyiz? Tema olarak yazma eserler nas\u0131l g\u00fcncellenebilir?<\/span>
<\/span>
YAZMA ESERLER TEK \u00c7ATIDA<\/strong><\/span>
<\/span>
Bu sorular\u0131n cevab\u0131na tekrar d\u00f6nmek \u00fczere ara verelim ve yazma eserler konusunda malumat anlam\u0131nda k\u00fc\u00e7\u00fck bir hat\u0131rlatma yapal\u0131m. Bilindi\u011fi \u00fczere \u00fclkemiz bu alanda -elde kalanlarla bile- olduk\u00e7a zengindir. K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131, yazma eserleri tek elden y\u00f6netmek \u00fczere merkezi \u0130stanbul olan Yazma Eserler Ba\u015fkanl\u0131\u011f\u0131 isminde do\u011frudan Bakanl\u0131\u011fa ba\u011fl\u0131 bir kurum tesis ederek ve ba\u015f\u0131na da bir ilim adam\u0131 vererek, bu alanda ciddi \u00e7al\u0131\u015fmalar yap\u0131lmas\u0131n\u0131 sa\u011flad\u0131. Anadolu\u2019daki b\u00fct\u00fcn yazma eserler k\u00fct\u00fcphanelerini b\u00f6lge m\u00fcd\u00fcrl\u00fckleri arac\u0131l\u0131\u011f\u0131 ile bu Ba\u015fkanl\u0131\u011fa ba\u011flad\u0131 ve sahiplenme\/koruma\/istifadeye sunma a\u00e7\u0131s\u0131ndan iyi bir organizasyon y\u00fcr\u00fctt\u00fc.<\/span>
<\/span>
Bilindi\u011fi \u00fczere 1600-1800 aras\u0131, yazma eserlerin \u00f6nem a\u00e7\u0131s\u0131ndan zirve yapt\u0131\u011f\u0131 bir d\u00f6nemi i\u015faret eder. D\u00f6nemin Osmanl\u0131 co\u011frafyas\u0131n\u0131n \u0130stanbul ba\u015fta olmak \u00fczere ilim merkezleri olan \u015fehirler; Kahire, Ba\u011fdat, Halep ve \u015eam gibi. Dil olarak ise Arap\u00e7a a\u011f\u0131rl\u0131kl\u0131 olmak \u00fczere Fars\u00e7a ve Osmanl\u0131ca\u2019d\u0131r. D\u00f6neminin k\u00fcresel bir akt\u00f6r\u00fc olan Osmanl\u0131 Devleti g\u00fcc\u00fcn\u00fc, k\u00fclt\u00fcrel ve ilim merkezi olarak geli\u015ftirdi\u011fi \u0130stanbul \u00fczerinden yazma eserlerin rol\u00fcn\u00fc ve dola\u015f\u0131m\u0131n\u0131 da dikkate alarak etkinle\u015ftirdi.<\/span>
<\/span>
\u015eimdi bu k\u0131sa mukaddimeyi; Avrupa k\u00fclt\u00fcrel ve entelekt\u00fcel tarihi alan\u0131nda ara\u015ft\u0131rmalar yapan Alexander Bevilacqua taraf\u0131ndan 2018 y\u0131l\u0131nda \u2018The Republic of Arabic Letters: Islam and the European Enlightenment\u2019 ba\u015fl\u0131\u011f\u0131yla yaz\u0131lan eserin, Kenan \u00c7ap\u0131k\u2019\u0131n \u00e7evirisi ile \u2018\u015eark K\u00fct\u00fcphanesi, \u0130slam ve Avrupa Ayd\u0131nlanmas\u0131\u2019 ismi ile Yeditepe Yay\u0131nlar\u0131 aras\u0131nda yay\u0131nlanmas\u0131 nedeniyle yazd\u0131k.<\/span>
<\/span>
NEDEN F\u0130LM VEYA BELGESEL OLMASIN?<\/strong><\/span>
<\/span>
Tekrar ba\u015ftaki sorular\u0131m\u0131za d\u00f6nelim. Bug\u00fcn itibariyle ve bu kitap vesilesi ile bu g\u00fcncellemeyi nas\u0131l yapabiliriz? Kitapta i\u015faret edilen zengin bir i\u00e7erik s\u00f6z konusu. Hikayele\u015ftirilecek bu unsurlar sinema tad\u0131nda bir belgesel ve ciddi bir sinema filmini ortaya \u00e7\u0131karabilecek kadar zengin bir muhtevaya\/maceraya sahiptir. Bunlara k\u0131saca de\u011finelim:<\/span>
<\/span>
* Ticaret (ve hatta zaman zaman korsan) gemileri yoluyla do\u011fudan bat\u0131ya kitaplar\u0131n ta\u015f\u0131nmas\u0131. <\/span>
<\/span>
* D\u00fcnyan\u0131n entelekt\u00fcel ba\u015fkenti olarak 17. y\u00fczy\u0131l \u0130stanbul\u2019unun tasviri. Fransa h\u00fck\u00fcmetinin \u0130stanbul\u2019da g\u00f6revlendirdi\u011fi Antoine Galland\u2019\u0131n \u0130stanbul\u2019da ya\u015fad\u0131klar\u0131 ve anekdotlar\u0131.<\/span>
<\/span>
* D\u00f6nemin Roma\u2019s\u0131nda \u015eark\u2019a ilginin ne kadar y\u00fcksek oldu\u011funun ve Arap\u00e7a\u2019n\u0131n ne kadar yayg\u0131n oldu\u011funun g\u00f6sterilmesi.<\/span>
<\/span>
* Kuran\u2019\u0131n Latince\u2019ye ilk tam terc\u00fcmesini yapan Marracci\u2019nin hem terc\u00fcme hem de bas\u0131m s\u00fcre\u00e7lerinde ya\u015fad\u0131klar\u0131 zorluklar. Engizisyonun Kuran bas\u0131m\u0131na kar\u015f\u0131 tutumu ve Marracci\u2019nin ba\u015far\u0131s\u0131.<\/span>
<\/span>
* Papal\u0131k se\u00e7imini kaybeden Barbarigo ile Marracci\u2019nin dostlu\u011fu. Barbarigo\u2019nun Marracci\u2019ye yard\u0131m\u0131.<\/span>
<\/span>
* Mardin ve Diyarbak\u0131r\u2019da g\u00f6rev yapm\u0131\u015f papaz Agnellini\u2019nin \u0130talya\u2019ya Padova\u2019ya geli\u015fi ve Marracci\u2019nin Kuran terc\u00fcmesini tashih edi\u015fi.<\/span>
<\/span>
* Kitap ta\u015f\u0131ma, Avrupa\u2019da k\u00fct\u00fcphanelerin kurulmas\u0131 ve terc\u00fcme hareketinin Avrupal\u0131lar\u0131n \u0130slam\u2019a ve do\u011fu toplumlar\u0131na y\u00f6nelik alg\u0131y\u0131 nas\u0131l de\u011fi\u015ftirdi\u011fi.<\/span>
<\/span>
G\u00f6r\u00fcld\u00fc\u011f\u00fc \u00fczere bir senarist i\u00e7in hem sinema hem de belgesel olarak malzeme \u00e7ok iyi. Yani buradan ekmek \u00e7\u0131kar. Netice olarak \u0130stanbul Ticaret Odas\u0131\u2019na bu t\u00fcrden bir projeye destek vermek \u00e7ok da uygun d\u00fc\u015fer. Ba\u015fkan \u015eekib Avdagi\u00e7, bu i\u015flerin de\u011ferini iyi bilen bir y\u00f6neticidir. Heyetinde de bu i\u015ften \u00e7ok iyi anlayan de\u011ferli bir k\u00fclt\u00fcr adam\u0131 ve belgesel y\u00f6neticisi olan \u0130srafil Kuralay\u2019\u0131n bulunmas\u0131 bir \u015fanst\u0131r diye d\u00fc\u015f\u00fcn\u00fcr\u00fcz. K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131\u2019n\u0131n da bu t\u00fcr bir projeye destek vermesinin, yazma eserler vizyonu a\u00e7\u0131s\u0131ndan ne kadar uygun d\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc s\u00f6ylemeye bile gerek yok. Bakan Yard\u0131mc\u0131s\u0131 Ahmet Misbah Demircan, konuyu derinden kavrar ve elinden geleni yapar. Bu malzemelerden rahatl\u0131kla helva yap\u0131l\u0131r.<\/span><\/p> \t\t\t\t","slug":"sark-kutuphanesinden-ne-cikar","tags":"K\u00f6\u015fe Yaz\u0131s\u0131","meta_title":"\u015eark k\u00fct\u00fcphanesinden ne \u00e7\u0131kar?","meta_description":"PROF. DR. AHMET EMRE B\u0130LG\u0130L\u0130","meta_keywords":"K\u00f6\u015fe Yaz\u0131s\u0131","news_cover_min":null,"news_cover":null,"news_video_min":null,"news_video":null,"view_count":1109,"cropped_1200x675":null,"user":{"id":5,"name":"AHMET EMRE","surname":"B\u0130LG\u0130L\u0130","email":"mcetiner@menemencioglu.net","slug":"prof-dr-ahmet-emre-bilgili","avatar":"\/front\/uploads\/avatar\/173369160076ryfup3NGA3Op4.webp","status":1,"role":1,"email_verified_at":null,"orde":null,"created_at":"2022-09-15T09:39:41.000000Z","updated_at":"2024-12-18T10:21:44.000000Z","seo_title":null,"seo_description":null},"translations":[{"id":24727,"is_featured":0,"is_amp":0,"is_ads":0,"ads_link":null,"post_id":24628,"locale":"tr","category_id":73,"title":"\u015eark k\u00fct\u00fcphanesinden ne \u00e7\u0131kar?","home_title":null,"sub_title":null,"slider_title":null,"slider_title_2":null,"slider_spot_title":null,"slider_spot_title_2":null,"subtitleuse":0,"description":null,"content":" \t\t\t\t\t \t\t\t\t\t

PROF. DR. AHMET EMRE B\u0130LG\u0130L\u0130<\/strong><\/span><\/p>

G\u00fcn\u00fcm\u00fcz jenerasyonuna, entelekt\u00fceline, ilim ve fikir adam\u0131na el yazmas\u0131 temel eserlerin; bilgi ve kavray\u0131\u015f olu\u015fturmada, fikrin in\u015fas\u0131nda, ilmin devaml\u0131l\u0131\u011f\u0131nda ne denli \u00f6nemli oldu\u011funu nas\u0131l anlatabiliriz veya anlatmal\u0131 m\u0131y\u0131z? Bu t\u00fcr bir derdimiz olmal\u0131 m\u0131 ger\u00e7ekten? Bug\u00fcn el yazmas\u0131 eserleri, m\u00fczelik bir eser gibi sadece m\u00fczayede objesi olarak m\u0131 de\u011ferli g\u00f6rmeliyiz? Bu eserler, tarihteki fonksiyonlar\u0131n\u0131 ne \u00f6l\u00e7\u00fcde devam ettirebiliyorlar? G\u00fcn\u00fcm\u00fczde yazma eserler konusunu hangi boyuttan \u00f6nemsemeliyiz? Tema olarak yazma eserler nas\u0131l g\u00fcncellenebilir?<\/span>
<\/span>
YAZMA ESERLER TEK \u00c7ATIDA<\/strong><\/span>
<\/span>
Bu sorular\u0131n cevab\u0131na tekrar d\u00f6nmek \u00fczere ara verelim ve yazma eserler konusunda malumat anlam\u0131nda k\u00fc\u00e7\u00fck bir hat\u0131rlatma yapal\u0131m. Bilindi\u011fi \u00fczere \u00fclkemiz bu alanda -elde kalanlarla bile- olduk\u00e7a zengindir. K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131, yazma eserleri tek elden y\u00f6netmek \u00fczere merkezi \u0130stanbul olan Yazma Eserler Ba\u015fkanl\u0131\u011f\u0131 isminde do\u011frudan Bakanl\u0131\u011fa ba\u011fl\u0131 bir kurum tesis ederek ve ba\u015f\u0131na da bir ilim adam\u0131 vererek, bu alanda ciddi \u00e7al\u0131\u015fmalar yap\u0131lmas\u0131n\u0131 sa\u011flad\u0131. Anadolu\u2019daki b\u00fct\u00fcn yazma eserler k\u00fct\u00fcphanelerini b\u00f6lge m\u00fcd\u00fcrl\u00fckleri arac\u0131l\u0131\u011f\u0131 ile bu Ba\u015fkanl\u0131\u011fa ba\u011flad\u0131 ve sahiplenme\/koruma\/istifadeye sunma a\u00e7\u0131s\u0131ndan iyi bir organizasyon y\u00fcr\u00fctt\u00fc.<\/span>
<\/span>
Bilindi\u011fi \u00fczere 1600-1800 aras\u0131, yazma eserlerin \u00f6nem a\u00e7\u0131s\u0131ndan zirve yapt\u0131\u011f\u0131 bir d\u00f6nemi i\u015faret eder. D\u00f6nemin Osmanl\u0131 co\u011frafyas\u0131n\u0131n \u0130stanbul ba\u015fta olmak \u00fczere ilim merkezleri olan \u015fehirler; Kahire, Ba\u011fdat, Halep ve \u015eam gibi. Dil olarak ise Arap\u00e7a a\u011f\u0131rl\u0131kl\u0131 olmak \u00fczere Fars\u00e7a ve Osmanl\u0131ca\u2019d\u0131r. D\u00f6neminin k\u00fcresel bir akt\u00f6r\u00fc olan Osmanl\u0131 Devleti g\u00fcc\u00fcn\u00fc, k\u00fclt\u00fcrel ve ilim merkezi olarak geli\u015ftirdi\u011fi \u0130stanbul \u00fczerinden yazma eserlerin rol\u00fcn\u00fc ve dola\u015f\u0131m\u0131n\u0131 da dikkate alarak etkinle\u015ftirdi.<\/span>
<\/span>
\u015eimdi bu k\u0131sa mukaddimeyi; Avrupa k\u00fclt\u00fcrel ve entelekt\u00fcel tarihi alan\u0131nda ara\u015ft\u0131rmalar yapan Alexander Bevilacqua taraf\u0131ndan 2018 y\u0131l\u0131nda \u2018The Republic of Arabic Letters: Islam and the European Enlightenment\u2019 ba\u015fl\u0131\u011f\u0131yla yaz\u0131lan eserin, Kenan \u00c7ap\u0131k\u2019\u0131n \u00e7evirisi ile \u2018\u015eark K\u00fct\u00fcphanesi, \u0130slam ve Avrupa Ayd\u0131nlanmas\u0131\u2019 ismi ile Yeditepe Yay\u0131nlar\u0131 aras\u0131nda yay\u0131nlanmas\u0131 nedeniyle yazd\u0131k.<\/span>
<\/span>
NEDEN F\u0130LM VEYA BELGESEL OLMASIN?<\/strong><\/span>
<\/span>
Tekrar ba\u015ftaki sorular\u0131m\u0131za d\u00f6nelim. Bug\u00fcn itibariyle ve bu kitap vesilesi ile bu g\u00fcncellemeyi nas\u0131l yapabiliriz? Kitapta i\u015faret edilen zengin bir i\u00e7erik s\u00f6z konusu. Hikayele\u015ftirilecek bu unsurlar sinema tad\u0131nda bir belgesel ve ciddi bir sinema filmini ortaya \u00e7\u0131karabilecek kadar zengin bir muhtevaya\/maceraya sahiptir. Bunlara k\u0131saca de\u011finelim:<\/span>
<\/span>
* Ticaret (ve hatta zaman zaman korsan) gemileri yoluyla do\u011fudan bat\u0131ya kitaplar\u0131n ta\u015f\u0131nmas\u0131. <\/span>
<\/span>
* D\u00fcnyan\u0131n entelekt\u00fcel ba\u015fkenti olarak 17. y\u00fczy\u0131l \u0130stanbul\u2019unun tasviri. Fransa h\u00fck\u00fcmetinin \u0130stanbul\u2019da g\u00f6revlendirdi\u011fi Antoine Galland\u2019\u0131n \u0130stanbul\u2019da ya\u015fad\u0131klar\u0131 ve anekdotlar\u0131.<\/span>
<\/span>
* D\u00f6nemin Roma\u2019s\u0131nda \u015eark\u2019a ilginin ne kadar y\u00fcksek oldu\u011funun ve Arap\u00e7a\u2019n\u0131n ne kadar yayg\u0131n oldu\u011funun g\u00f6sterilmesi.<\/span>
<\/span>
* Kuran\u2019\u0131n Latince\u2019ye ilk tam terc\u00fcmesini yapan Marracci\u2019nin hem terc\u00fcme hem de bas\u0131m s\u00fcre\u00e7lerinde ya\u015fad\u0131klar\u0131 zorluklar. Engizisyonun Kuran bas\u0131m\u0131na kar\u015f\u0131 tutumu ve Marracci\u2019nin ba\u015far\u0131s\u0131.<\/span>
<\/span>
* Papal\u0131k se\u00e7imini kaybeden Barbarigo ile Marracci\u2019nin dostlu\u011fu. Barbarigo\u2019nun Marracci\u2019ye yard\u0131m\u0131.<\/span>
<\/span>
* Mardin ve Diyarbak\u0131r\u2019da g\u00f6rev yapm\u0131\u015f papaz Agnellini\u2019nin \u0130talya\u2019ya Padova\u2019ya geli\u015fi ve Marracci\u2019nin Kuran terc\u00fcmesini tashih edi\u015fi.<\/span>
<\/span>
* Kitap ta\u015f\u0131ma, Avrupa\u2019da k\u00fct\u00fcphanelerin kurulmas\u0131 ve terc\u00fcme hareketinin Avrupal\u0131lar\u0131n \u0130slam\u2019a ve do\u011fu toplumlar\u0131na y\u00f6nelik alg\u0131y\u0131 nas\u0131l de\u011fi\u015ftirdi\u011fi.<\/span>
<\/span>
G\u00f6r\u00fcld\u00fc\u011f\u00fc \u00fczere bir senarist i\u00e7in hem sinema hem de belgesel olarak malzeme \u00e7ok iyi. Yani buradan ekmek \u00e7\u0131kar. Netice olarak \u0130stanbul Ticaret Odas\u0131\u2019na bu t\u00fcrden bir projeye destek vermek \u00e7ok da uygun d\u00fc\u015fer. Ba\u015fkan \u015eekib Avdagi\u00e7, bu i\u015flerin de\u011ferini iyi bilen bir y\u00f6neticidir. Heyetinde de bu i\u015ften \u00e7ok iyi anlayan de\u011ferli bir k\u00fclt\u00fcr adam\u0131 ve belgesel y\u00f6neticisi olan \u0130srafil Kuralay\u2019\u0131n bulunmas\u0131 bir \u015fanst\u0131r diye d\u00fc\u015f\u00fcn\u00fcr\u00fcz. K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131\u2019n\u0131n da bu t\u00fcr bir projeye destek vermesinin, yazma eserler vizyonu a\u00e7\u0131s\u0131ndan ne kadar uygun d\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc s\u00f6ylemeye bile gerek yok. Bakan Yard\u0131mc\u0131s\u0131 Ahmet Misbah Demircan, konuyu derinden kavrar ve elinden geleni yapar. Bu malzemelerden rahatl\u0131kla helva yap\u0131l\u0131r.<\/span><\/p> \t\t\t\t","slug":"sark-kutuphanesinden-ne-cikar","orjinalimage":null,"news_cover_min":null,"news_cover":null,"news_video_min":null,"news_video":null,"cropped_638x552":null,"cropped_310x208":null,"cropped_416x247":null,"cropped_197x247":null,"cropped_416x600":null,"cropped_1200x675":null,"tags":"K\u00f6\u015fe Yaz\u0131s\u0131","meta_title":"\u015eark k\u00fct\u00fcphanesinden ne \u00e7\u0131kar?","meta_description":"PROF. DR. AHMET EMRE B\u0130LG\u0130L\u0130","meta_keywords":"K\u00f6\u015fe Yaz\u0131s\u0131","view_count":1109,"yt":0,"ytid":"","ytimage":null,"imgdate":"2000-01-01 00:00:00","cuff_cover":null,"cropped_358x214":null,"cropped_842x474":null}]}}