{"status":true,"post":{"id":35231,"user_id":5,"status":1,"type":1,"orde":null,"notification_type":3,"static_post":0,"published_at":"2022-10-24 22:00:50","created_at":"2022-10-06T21:00:00.000000Z","updated_at":"2022-10-24T19:00:50.000000Z","edited_at":"2024-12-17 22:35:21","source_id":null,"post_id":35231,"is_featured":0,"title":"K\u00fclt\u00fcr yolu etkinlikleri \u00fclke \u00e7ap\u0131nda bir a\u00e7\u0131l\u0131m getirebilir mi?","slider_title":null,"slider_title_2":null,"slider_spot_title":null,"slider_spot_title_2":null,"home_title":null,"sub_title":null,"category_id":73,"description":null,"content":" \t\t\t\t\t \t\t\t\t\t

PROF. DR. AHMET EMRE B\u0130LG\u0130L\u0130<\/strong><\/span>
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T\u00fcrkiye\u2019de politik kavramlar olarak sol\u2019un sa\u011f cenah\u0131 k\u00fc\u00e7\u00fcmsemek i\u00e7in en \u00e7ok kulland\u0131\u011f\u0131 arg\u00fcman; k\u00fclt\u00fcr sanat i\u015flerindeki d\u00fczey d\u00fc\u015f\u00fckl\u00fc\u011f\u00fc su\u00e7lamas\u0131d\u0131r, bu i\u015flerden anlamamakla itham etmesidir. Bu tart\u0131\u015fman\u0131n yeri bu yaz\u0131 de\u011fil ku\u015fkusuz. Fakat k\u00fclt\u00fcr sanat boyutunda \u00e7ok iyi \u00f6rneklerin de ortaya konuldu\u011fu malum ama d\u00fczeyli bir \u00e7izgi tutturulamad\u0131\u011f\u0131 ve i\u00e7 tart\u0131\u015fmalar\u0131n yap\u0131ld\u0131\u011f\u0131 da bir vak\u0131ad\u0131r. Asl\u0131nda toplum olarak ortak bir yanl\u0131\u015f\u0131m\u0131z da \u015fu; herhangi bir iktidar\u0131n di\u011fer konulara bak\u0131\u015f\u0131nda farkl\u0131l\u0131klar olabilir ama k\u00fclt\u00fcr sanat her zaman i\u00e7in sa\u011f ve sol olarak ayr\u0131lmaz, ayr\u0131lmamal\u0131. K\u00fclt\u00fcr sanat \u00e7al\u0131\u015fmalar\u0131 birlikte yap\u0131lan ve birle\u015ftirici boyutu \u00f6nemli olan bir alan olarak g\u00f6r\u00fclmeli.<\/span>
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Giri\u015f bab\u0131ndaki bu c\u00fcmleyi, \u0130stanbul\u2019da ba\u015flayan Beyo\u011flu K\u00fclt\u00fcr Yolu etkinlikleri nedeniyle kurduk. Ba\u011flam\u0131 yaz\u0131n\u0131n sonunda yine dillendirmi\u015f olaca\u011f\u0131z. Ba\u015fl\u0131kta belirtti\u011fimiz gibi etkinliklerin bir haftas\u0131n\u0131 izledikten sonra yazmam\u0131z\u0131n sebebi; hari\u00e7ten gazel okuma durumuna d\u00fc\u015fmemek i\u00e7indir. Zira baz\u0131 \u015feyler teorik olarak yani masa ba\u015f\u0131nda \u00e7ok iyi durur fakat sahaya \u00e7\u0131k\u0131nca as\u0131l foto\u011fraf ortaya \u00e7\u0131kar. \u00d6nemli olan da sahadaki g\u00f6r\u00fcnt\u00fcd\u00fcr yani neticedir. Hani \u00e7ok yal\u0131n ama \u00f6nemli bir s\u00f6z\u00fcm\u00fcz var; bir i\u015fi yapt\u0131ktan sonra, maksat has\u0131l oldu mu diye sorar\u0131z. Maksat has\u0131l olmad\u0131 ise teorideki g\u00fczellik bir i\u015fe yaramaz. <\/span>
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\u2018Beyo\u011flu K\u00fclt\u00fcr Yolu\u2019 isminin telif hakk\u0131 bildi\u011fimiz kadar\u0131yla K\u00fclt\u00fcr Bakan Yard\u0131mc\u0131s\u0131 Ahmet Misbah Demircan\u2019a ait. Uzun y\u0131llar Beyo\u011flu Belediye Ba\u015fkanl\u0131\u011f\u0131 yapt\u0131\u011f\u0131, k\u00fclt\u00fcr sanat i\u015flerine hem v\u00e2k\u0131f hem de merakl\u0131 oldu\u011fu i\u00e7in bu d\u00fc\u015f\u00fcncesini Beyo\u011flu \u00fczerinden uygulamaya koydu. K\u00fclt\u00fcr yolu kavram\u0131, Ca\u011falo\u011flu\u2019ndan Fatih\u2019e, Ey\u00fcpsultan\u2019a ve oradan \u00dcsk\u00fcdar ve Kad\u0131k\u00f6y\u2019e kadar yak\u0131\u015fan bir isimlendirmedir asl\u0131nda. Beyo\u011flu\u2019na da \u015f\u00fcphesiz ki \u00e7ok yak\u0131\u015ft\u0131. <\/span>
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UZLA\u015eTIRICI ROL\u00dc<\/strong><\/span>
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K\u00fclt\u00fcr\u00fcn; bilgilendirici, e\u011fitici ve olgunla\u015ft\u0131r\u0131c\u0131 taraf\u0131 ile birlikte \u00e7at\u0131\u015fmac\u0131\/uzla\u015ft\u0131r\u0131c\u0131 taraf\u0131 da bulunur. Salt ideolojik bir bak\u0131\u015f ile icra edilirse ayr\u0131\u015ft\u0131r\u0131c\u0131 yan\u0131 belirir. Biz, uzla\u015ft\u0131r\u0131c\u0131 rol\u00fcn\u00fcn ortaya \u00e7\u0131kmas\u0131n\u0131 \u00f6nemsiyoruz. Bunun i\u00e7in de ba\u015ftan kurgunun bunu hedeflemesi gerekir. Burada kurgu ne kadar bu amaca hizmet eder sorusunun cevab\u0131 i\u00e7in \u00f6nce etkinlik mek\u00e2nlar\u0131na bir g\u00f6z atal\u0131m, \u00e7e\u015fitlilik sa\u011flanm\u0131\u015f m\u0131 diye? Sonra da performans icra edenlere ve konu\u015fmac\u0131lara bakal\u0131m zenginlik olu\u015fmu\u015f mu diye? Bu a\u00e7\u0131dan etkinlik alanlar\u0131na bakt\u0131\u011f\u0131m\u0131zda; devlet, yerel y\u00f6netim ve \u00f6zel kurulu\u015flara ait irili ufakl\u0131 t\u00fcm mek\u00e2nlar hizmete ko\u015fulmu\u015f. Yani; \u0130stanbul Modern\u2019den Taksim Camii\u2019nin salonuna, Atat\u00fcrk K\u00fclt\u00fcr Merkezi\u2019nden M\u0131s\u0131r Apartman\u0131\u2019na kadar Borusan, Galata Kulesi, Tophane-i Amire, Pera M\u00fczesi, Saint Antuan Kilisesi, Narmanl\u0131 Han gibi t\u00fcm mekanlar k\u00fclt\u00fcrel alana dahil edilmi\u015f. \u0130yi de edilmi\u015f; zira mek\u00e2nlar\u0131n da temsil etti\u011fi bir ruhu ve dili bulunur. Bununla birlikte bir anlamda sahne alan bilim, d\u00fc\u015f\u00fcnce adam\u0131, yazar ve sanat\u00e7\u0131lar\u0131n listesine bakt\u0131\u011f\u0131m\u0131zda ciddi bir \u00e7e\u015fitlili\u011fin var oldu\u011funu g\u00f6r\u00fcr\u00fcz. Yazar ve sanat\u00e7\u0131 \u00e7e\u015fitlili\u011fi, do\u011fal olarak konu ve format zenginli\u011fini de beraberinde getirmi\u015f. <\/span>
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\u00d6ZG\u00dcRL\u00dcK VE KATILIMDA \u00c7E\u015e\u0130TL\u0130L\u0130K<\/strong><\/span>
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Netice-i kel\u00e2m; \u0130stanbul\u2019da ba\u015flayan bu k\u00fclt\u00fcr hareketi, K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131\u2019n\u0131n \u00f6nc\u00fcl\u00fc\u011f\u00fc ile t\u00fcm memleket sath\u0131n\u0131 k\u00fclt\u00fcr yolu alan\u0131 haline getirebilir. Bunun i\u00e7in de \u00f6yle devasa b\u00fct\u00e7elere gerek olmad\u0131\u011f\u0131n\u0131 hepimiz biliyoruz. \u00d6zg\u00fcrl\u00fck ve kat\u0131l\u0131mda \u00e7e\u015fitlilik ana eksen olmas\u0131 ko\u015fulu ile diledi\u011finiz kadar geni\u015fletebilirsiniz. K\u00fclt\u00fcr ve sanat\u0131n do\u011fas\u0131 buna uygun. Zaten \u015fimdiden Diyarbak\u0131r\u2019a ta\u015f\u0131nm\u0131\u015f durumunda. Ankara onu takip edecek. Gelecek y\u0131l Adana ba\u015fta olmak \u00fczere bir devaml\u0131l\u0131k sa\u011flanacak. Bu k\u00fclt\u00fcrel format ve iklim, iktidar i\u00e7in k\u00fclt\u00fcrel bir a\u00e7\u0131l\u0131m getirebilir. Farkl\u0131 \u015fehirlerde hem mek\u00e2n hem de yazar-sanat\u00e7\u0131 zenginli\u011fi ve kapsay\u0131c\u0131l\u0131\u011f\u0131 sa\u011flan\u0131rsa k\u00fclt\u00fcr\u00fcn uzla\u015ft\u0131r\u0131c\u0131 rol\u00fc i\u015flevsel hale gelebilir. Bu da t\u00fcm \u00fclkenin \u00e7\u0131kar\u0131na olur. \u00dcstelik de iktidara k\u00fclt\u00fcr \u00fczerinden getirilen ele\u015ftiriler bo\u015fa \u00e7\u0131kar\u0131lm\u0131\u015f olunur.<\/span>
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\u0130bn Haldun, \u2018\u015fehir; medeniyetin kab\u0131d\u0131r\u2019 s\u00f6z\u00fcn\u00fc bo\u015funa s\u00f6ylememi\u015f. Hakikaten i\u00e7inde ya\u015fad\u0131\u011f\u0131m\u0131z \u015fehirler ancak k\u00fclt\u00fcr ve sanatla imar olurlar. \u015eehirlerin imar\u0131ndan da kas\u0131t; ya\u015fayanlar\u0131n imar\u0131d\u0131r. Bu projeye \u00fclke olarak sahip \u00e7\u0131kal\u0131m ve b\u00fcy\u00fcmesine f\u0131rsat verelim, kendi b\u00fcy\u00fcme iklimini olu\u015ftural\u0131m. \u00dclkemiz se\u00e7im havas\u0131na girerken k\u00fclt\u00fcr\u00fcn sanat\u0131n toplumdaki uzla\u015ft\u0131r\u0131c\u0131 g\u00fcc\u00fcn\u00fc de g\u00f6stermi\u015f olal\u0131m. Sadece; i\u015fin stratejisi \u00fczerine yerel dinamikleri de d\u00fc\u015f\u00fcnerek biraz daha \u00f6zg\u00fcnl\u00fck katmak sureti ile \u00e7al\u0131\u015fmam\u0131z gerekir. <\/span>
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Tehlike; etkinlik konseptinde her \u015feyin, her mek\u00e2n\u0131n ve \u00e7e\u015fitlili\u011fin bulunmas\u0131 bir karma\u015fay\u0131 de\u011fil, \u00fcst bir d\u00fczenin var oldu\u011funu g\u00f6stermesidir. K\u00fclt\u00fcr Yolu\u2019nun bir \u00fcst stratejisi \u00fczerine biraz daha odaklan\u0131lmal\u0131.<\/span><\/p> \t\t\t\t","slug":"kultur-yolu-etkinlikleri-ulke-capinda-bir-acilim-getirebilir-mi","tags":"K\u00f6\u015fe Yaz\u0131s\u0131","meta_title":"K\u00fclt\u00fcr yolu etkinlikleri \u00fclke \u00e7ap\u0131nda bir a\u00e7\u0131l\u0131m getirebilir mi?","meta_description":"PROF. DR. AHMET EMRE B\u0130LG\u0130L\u0130","meta_keywords":"K\u00f6\u015fe Yaz\u0131s\u0131","news_cover_min":null,"news_cover":null,"news_video_min":null,"news_video":null,"view_count":1170,"cropped_1200x675":null,"user":{"id":5,"name":"AHMET EMRE","surname":"B\u0130LG\u0130L\u0130","email":"mcetiner@menemencioglu.net","slug":"prof-dr-ahmet-emre-bilgili","avatar":"\/front\/uploads\/avatar\/173369160076ryfup3NGA3Op4.webp","status":1,"role":1,"email_verified_at":null,"orde":null,"created_at":"2022-09-15T09:39:41.000000Z","updated_at":"2024-12-18T10:21:44.000000Z","seo_title":null,"seo_description":null},"translations":[{"id":35330,"is_featured":0,"is_amp":0,"is_ads":0,"ads_link":null,"post_id":35231,"locale":"tr","category_id":73,"title":"K\u00fclt\u00fcr yolu etkinlikleri \u00fclke \u00e7ap\u0131nda bir a\u00e7\u0131l\u0131m getirebilir mi?","home_title":null,"sub_title":null,"slider_title":null,"slider_title_2":null,"slider_spot_title":null,"slider_spot_title_2":null,"subtitleuse":0,"description":null,"content":" \t\t\t\t\t \t\t\t\t\t

PROF. DR. AHMET EMRE B\u0130LG\u0130L\u0130<\/strong><\/span>
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T\u00fcrkiye\u2019de politik kavramlar olarak sol\u2019un sa\u011f cenah\u0131 k\u00fc\u00e7\u00fcmsemek i\u00e7in en \u00e7ok kulland\u0131\u011f\u0131 arg\u00fcman; k\u00fclt\u00fcr sanat i\u015flerindeki d\u00fczey d\u00fc\u015f\u00fckl\u00fc\u011f\u00fc su\u00e7lamas\u0131d\u0131r, bu i\u015flerden anlamamakla itham etmesidir. Bu tart\u0131\u015fman\u0131n yeri bu yaz\u0131 de\u011fil ku\u015fkusuz. Fakat k\u00fclt\u00fcr sanat boyutunda \u00e7ok iyi \u00f6rneklerin de ortaya konuldu\u011fu malum ama d\u00fczeyli bir \u00e7izgi tutturulamad\u0131\u011f\u0131 ve i\u00e7 tart\u0131\u015fmalar\u0131n yap\u0131ld\u0131\u011f\u0131 da bir vak\u0131ad\u0131r. Asl\u0131nda toplum olarak ortak bir yanl\u0131\u015f\u0131m\u0131z da \u015fu; herhangi bir iktidar\u0131n di\u011fer konulara bak\u0131\u015f\u0131nda farkl\u0131l\u0131klar olabilir ama k\u00fclt\u00fcr sanat her zaman i\u00e7in sa\u011f ve sol olarak ayr\u0131lmaz, ayr\u0131lmamal\u0131. K\u00fclt\u00fcr sanat \u00e7al\u0131\u015fmalar\u0131 birlikte yap\u0131lan ve birle\u015ftirici boyutu \u00f6nemli olan bir alan olarak g\u00f6r\u00fclmeli.<\/span>
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Giri\u015f bab\u0131ndaki bu c\u00fcmleyi, \u0130stanbul\u2019da ba\u015flayan Beyo\u011flu K\u00fclt\u00fcr Yolu etkinlikleri nedeniyle kurduk. Ba\u011flam\u0131 yaz\u0131n\u0131n sonunda yine dillendirmi\u015f olaca\u011f\u0131z. Ba\u015fl\u0131kta belirtti\u011fimiz gibi etkinliklerin bir haftas\u0131n\u0131 izledikten sonra yazmam\u0131z\u0131n sebebi; hari\u00e7ten gazel okuma durumuna d\u00fc\u015fmemek i\u00e7indir. Zira baz\u0131 \u015feyler teorik olarak yani masa ba\u015f\u0131nda \u00e7ok iyi durur fakat sahaya \u00e7\u0131k\u0131nca as\u0131l foto\u011fraf ortaya \u00e7\u0131kar. \u00d6nemli olan da sahadaki g\u00f6r\u00fcnt\u00fcd\u00fcr yani neticedir. Hani \u00e7ok yal\u0131n ama \u00f6nemli bir s\u00f6z\u00fcm\u00fcz var; bir i\u015fi yapt\u0131ktan sonra, maksat has\u0131l oldu mu diye sorar\u0131z. Maksat has\u0131l olmad\u0131 ise teorideki g\u00fczellik bir i\u015fe yaramaz. <\/span>
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\u2018Beyo\u011flu K\u00fclt\u00fcr Yolu\u2019 isminin telif hakk\u0131 bildi\u011fimiz kadar\u0131yla K\u00fclt\u00fcr Bakan Yard\u0131mc\u0131s\u0131 Ahmet Misbah Demircan\u2019a ait. Uzun y\u0131llar Beyo\u011flu Belediye Ba\u015fkanl\u0131\u011f\u0131 yapt\u0131\u011f\u0131, k\u00fclt\u00fcr sanat i\u015flerine hem v\u00e2k\u0131f hem de merakl\u0131 oldu\u011fu i\u00e7in bu d\u00fc\u015f\u00fcncesini Beyo\u011flu \u00fczerinden uygulamaya koydu. K\u00fclt\u00fcr yolu kavram\u0131, Ca\u011falo\u011flu\u2019ndan Fatih\u2019e, Ey\u00fcpsultan\u2019a ve oradan \u00dcsk\u00fcdar ve Kad\u0131k\u00f6y\u2019e kadar yak\u0131\u015fan bir isimlendirmedir asl\u0131nda. Beyo\u011flu\u2019na da \u015f\u00fcphesiz ki \u00e7ok yak\u0131\u015ft\u0131. <\/span>
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UZLA\u015eTIRICI ROL\u00dc<\/strong><\/span>
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K\u00fclt\u00fcr\u00fcn; bilgilendirici, e\u011fitici ve olgunla\u015ft\u0131r\u0131c\u0131 taraf\u0131 ile birlikte \u00e7at\u0131\u015fmac\u0131\/uzla\u015ft\u0131r\u0131c\u0131 taraf\u0131 da bulunur. Salt ideolojik bir bak\u0131\u015f ile icra edilirse ayr\u0131\u015ft\u0131r\u0131c\u0131 yan\u0131 belirir. Biz, uzla\u015ft\u0131r\u0131c\u0131 rol\u00fcn\u00fcn ortaya \u00e7\u0131kmas\u0131n\u0131 \u00f6nemsiyoruz. Bunun i\u00e7in de ba\u015ftan kurgunun bunu hedeflemesi gerekir. Burada kurgu ne kadar bu amaca hizmet eder sorusunun cevab\u0131 i\u00e7in \u00f6nce etkinlik mek\u00e2nlar\u0131na bir g\u00f6z atal\u0131m, \u00e7e\u015fitlilik sa\u011flanm\u0131\u015f m\u0131 diye? Sonra da performans icra edenlere ve konu\u015fmac\u0131lara bakal\u0131m zenginlik olu\u015fmu\u015f mu diye? Bu a\u00e7\u0131dan etkinlik alanlar\u0131na bakt\u0131\u011f\u0131m\u0131zda; devlet, yerel y\u00f6netim ve \u00f6zel kurulu\u015flara ait irili ufakl\u0131 t\u00fcm mek\u00e2nlar hizmete ko\u015fulmu\u015f. Yani; \u0130stanbul Modern\u2019den Taksim Camii\u2019nin salonuna, Atat\u00fcrk K\u00fclt\u00fcr Merkezi\u2019nden M\u0131s\u0131r Apartman\u0131\u2019na kadar Borusan, Galata Kulesi, Tophane-i Amire, Pera M\u00fczesi, Saint Antuan Kilisesi, Narmanl\u0131 Han gibi t\u00fcm mekanlar k\u00fclt\u00fcrel alana dahil edilmi\u015f. \u0130yi de edilmi\u015f; zira mek\u00e2nlar\u0131n da temsil etti\u011fi bir ruhu ve dili bulunur. Bununla birlikte bir anlamda sahne alan bilim, d\u00fc\u015f\u00fcnce adam\u0131, yazar ve sanat\u00e7\u0131lar\u0131n listesine bakt\u0131\u011f\u0131m\u0131zda ciddi bir \u00e7e\u015fitlili\u011fin var oldu\u011funu g\u00f6r\u00fcr\u00fcz. Yazar ve sanat\u00e7\u0131 \u00e7e\u015fitlili\u011fi, do\u011fal olarak konu ve format zenginli\u011fini de beraberinde getirmi\u015f. <\/span>
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\u00d6ZG\u00dcRL\u00dcK VE KATILIMDA \u00c7E\u015e\u0130TL\u0130L\u0130K<\/strong><\/span>
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Netice-i kel\u00e2m; \u0130stanbul\u2019da ba\u015flayan bu k\u00fclt\u00fcr hareketi, K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131\u2019n\u0131n \u00f6nc\u00fcl\u00fc\u011f\u00fc ile t\u00fcm memleket sath\u0131n\u0131 k\u00fclt\u00fcr yolu alan\u0131 haline getirebilir. Bunun i\u00e7in de \u00f6yle devasa b\u00fct\u00e7elere gerek olmad\u0131\u011f\u0131n\u0131 hepimiz biliyoruz. \u00d6zg\u00fcrl\u00fck ve kat\u0131l\u0131mda \u00e7e\u015fitlilik ana eksen olmas\u0131 ko\u015fulu ile diledi\u011finiz kadar geni\u015fletebilirsiniz. K\u00fclt\u00fcr ve sanat\u0131n do\u011fas\u0131 buna uygun. Zaten \u015fimdiden Diyarbak\u0131r\u2019a ta\u015f\u0131nm\u0131\u015f durumunda. Ankara onu takip edecek. Gelecek y\u0131l Adana ba\u015fta olmak \u00fczere bir devaml\u0131l\u0131k sa\u011flanacak. Bu k\u00fclt\u00fcrel format ve iklim, iktidar i\u00e7in k\u00fclt\u00fcrel bir a\u00e7\u0131l\u0131m getirebilir. Farkl\u0131 \u015fehirlerde hem mek\u00e2n hem de yazar-sanat\u00e7\u0131 zenginli\u011fi ve kapsay\u0131c\u0131l\u0131\u011f\u0131 sa\u011flan\u0131rsa k\u00fclt\u00fcr\u00fcn uzla\u015ft\u0131r\u0131c\u0131 rol\u00fc i\u015flevsel hale gelebilir. Bu da t\u00fcm \u00fclkenin \u00e7\u0131kar\u0131na olur. \u00dcstelik de iktidara k\u00fclt\u00fcr \u00fczerinden getirilen ele\u015ftiriler bo\u015fa \u00e7\u0131kar\u0131lm\u0131\u015f olunur.<\/span>
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\u0130bn Haldun, \u2018\u015fehir; medeniyetin kab\u0131d\u0131r\u2019 s\u00f6z\u00fcn\u00fc bo\u015funa s\u00f6ylememi\u015f. Hakikaten i\u00e7inde ya\u015fad\u0131\u011f\u0131m\u0131z \u015fehirler ancak k\u00fclt\u00fcr ve sanatla imar olurlar. \u015eehirlerin imar\u0131ndan da kas\u0131t; ya\u015fayanlar\u0131n imar\u0131d\u0131r. Bu projeye \u00fclke olarak sahip \u00e7\u0131kal\u0131m ve b\u00fcy\u00fcmesine f\u0131rsat verelim, kendi b\u00fcy\u00fcme iklimini olu\u015ftural\u0131m. \u00dclkemiz se\u00e7im havas\u0131na girerken k\u00fclt\u00fcr\u00fcn sanat\u0131n toplumdaki uzla\u015ft\u0131r\u0131c\u0131 g\u00fcc\u00fcn\u00fc de g\u00f6stermi\u015f olal\u0131m. Sadece; i\u015fin stratejisi \u00fczerine yerel dinamikleri de d\u00fc\u015f\u00fcnerek biraz daha \u00f6zg\u00fcnl\u00fck katmak sureti ile \u00e7al\u0131\u015fmam\u0131z gerekir. <\/span>
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Tehlike; etkinlik konseptinde her \u015feyin, her mek\u00e2n\u0131n ve \u00e7e\u015fitlili\u011fin bulunmas\u0131 bir karma\u015fay\u0131 de\u011fil, \u00fcst bir d\u00fczenin var oldu\u011funu g\u00f6stermesidir. K\u00fclt\u00fcr Yolu\u2019nun bir \u00fcst stratejisi \u00fczerine biraz daha odaklan\u0131lmal\u0131.<\/span><\/p> \t\t\t\t","slug":"kultur-yolu-etkinlikleri-ulke-capinda-bir-acilim-getirebilir-mi","orjinalimage":null,"news_cover_min":null,"news_cover":null,"news_video_min":null,"news_video":null,"cropped_638x552":null,"cropped_310x208":null,"cropped_416x247":null,"cropped_197x247":null,"cropped_416x600":null,"cropped_1200x675":null,"tags":"K\u00f6\u015fe Yaz\u0131s\u0131","meta_title":"K\u00fclt\u00fcr yolu etkinlikleri \u00fclke \u00e7ap\u0131nda bir a\u00e7\u0131l\u0131m getirebilir mi?","meta_description":"PROF. DR. AHMET EMRE B\u0130LG\u0130L\u0130","meta_keywords":"K\u00f6\u015fe Yaz\u0131s\u0131","view_count":1170,"yt":0,"ytid":"","ytimage":null,"imgdate":"2000-01-01 00:00:00","cuff_cover":null,"cropped_358x214":null,"cropped_842x474":null}]}}